Tuesday, August 31, 2010
The Colosseum, Bernini, and Caravaggio!
Monday, August 30, 2010
Michelangelo's "David"
For Brighton!
Saturday, August 28, 2010
Ponte Vecchio and Gold!
The Art of Florence
Fabulous Gelato!
Hotel With a View
Friday, August 27, 2010
Delphi
Wednesday, August 25, 2010
Athens
Tuesday, August 24, 2010
The Paris Journal - Day Two
Versailles: Friday, July 20, 2010
Today started with a short subway ride to one of Paris’ train stations to catch the train to Versailles. Versailles is some 80 minutes or so by train to the west and a little south of Paris.
I think Gilbert in is book Living With Art best sums up the opulence of Versailles when he writes, “the Baroque style was characterized by ornamentation, dynamism, theatricality, and overstatement. What could better exemplify this style than the reign of Louis XIV and the Palace of Versailles?”
Seeing the lifestyle that Louis XIV and then Louis XVI and Marie Antoinette, there is no wonder why the French Revolution came about with the starving masses in Paris who couldn’t even buy bread. Upon hearing this, Marie Antoinette states her very famous line: “Let them eat cake.” Undoubtedly, she had plenty of cake as well as other foodstuffs to eat while living in one of many palaces at Versailles.
As I mentioned in my previous day’s journal, each historical site has their own rules for what you can and can’t do as far as video at their specific site. There was no problem shooting video at Versailles, as long as you do it without a tripod. This presents a major problem for the videographer in making sure that the talent they are shooting will be seen in the final product with as little handheld camera movement or shakiness as possible. Over the years I have found out that if you zoom your camera’s lens to it’s widest possible, and then place yourself in the proper location in relation to your talent, your audience should see minimal unwanted camera movement. The moment you begin zooming in on your talent, you lose camera stability.
We had another gorgeous azure blue-sky day to shoot outside after we had shot video inside the main palace. The main issue with shooting inside the palace was the mixture of daylight coming into a room that was already lit with incandescent lighting. With the daylight overpowering the artificial room light, it caused some rooms to have a bluer tint on the video and not allowing the room to be shown in it’s natural color. To overcome this, it is best if the videographer has any exterior windows to his or her back.
The enormity of Versailles is just overwhelming for anyone who visits. The entire estate comprises some twenty-five square miles. The gardens are the envy of anyone who enjoys gardening. And locations to shoot video are never ending.
If you ever visit Versailles, you might consider renting one of the electric golf carts to assist you in getting around once you get out into the gardens. And the end of our time at the palace we found ourselves walking some thirty-five minutes to get back to the main palace.
Just wish we had more time to spend, but we had to catch our train back to Paris!
The Paris Journal - Day One
An Introduction to Paris: Thursday, July 19, 2010
After an eight and a half hour flight from Dallas, our group landed in Paris at Charles DeGalle Airport northwest of the city center. The trip into Place d’Itale where our hotel was located took another forty minutes by train and subway. The subway system in Paris isn’t traveler friendly for those lugging suitcases and backpacks up and down stairs to the various levels. At least on the way out of the stations there are escalators that help a bit.
Once we checked in to the Hotel Mercure Place d’Itale, our home base for the next five days, we met in the lobby to begin our journey of art and architecture through the City of Lights.
Upon emerging from the Metro to our first site as I saw the architecture all I could say was “WOW!” During the 1850s and 1860s, Napoleon III rebuilt Paris into the city that we see today.
Our first video set up found us at the Pont Alexandre III. Here Jerry Hansen shared information on the importance of this bridge. “It was built between 1896 and 1900 to celebrate the alliance between the Russians and the French…On the pylons on the right bank are representations of medieval France, while on the pylons on the left bank are statues of Renaissance France and the France of Louis XIV.” (Note: Any quotation in my blog entries are direct quotes from the World Foundations 2010 Faculty Inservice Trip guide booklet compiled by Jerry Hansen.) Many of these statues atop the pylons are in gold and were astounding to see through the viewfinder in the shimmering afternoon sun with a gorgeous blue sky. A videographer couldn’t have asked for a better day to shoot video!
After recording Jerry’s video introduction to the bridge, I spent some time shooting closeups of the various things he talked about. One thing a videographer must do, especially when working by yourself, is pay close attention to what is being said by your talent so you can enhance their narration with visuals for the intended audience.
At the western end of the bridge we found ourselves at our second location. Here David Peck and I recorded a short video intro to the Hotel des Invalides. This Baroque complex includes “the Dome and the Church of Saint Louis that stretch between Palace Vauban and the Esplanade des Invalides…It’s construction in 1671 was designed as a refuge for old and invalid soldiers who were often forced to beg for a living. It was finished in 1676.”
Shortly after shooting David’s intro, we encountered our first dilemma with shooting video on our trip. Around the entire complex is a small retaining wall that is approximately two feet in height. Just inside the retaining wall is a moat that must be about ten feet in width. Next is another two-foot tall retaining wall. Many museums and other historical sites where you must pay a fee to enter will not allow you to shoot video with or without a tripod. Such was the case at Les Invalides. We could shoot all the video that we wanted outside the exterior retaining wall, but not from inside the interior retaining wall some ten feet closer to the complex. It seemed like a ridiculous rule to me since we were able to get what we wanted whether we were inside or outside of the zone that was designated for shooting video.
Inside the complex a visitor will find the French military museum with artifacts on display from all of the various wars that France has been involved in. But the most interesting is the Dome and Church of Saint Louis. Here many important French military leaders like Foch are buried. It was Foch who stated that the Treaty of Versailles was just a twenty-year cease-fire agreement and that the world would be at war again in twenty years. Foch was correct as in 1939 Hitler invaded Poland with threw the world in World War II.
The most important homage to a French leader found the the Church of Saint Louis is the tomb of Napoleon I, better known to Americans as Napoleon Bonaparte. If you read British history, Napoleon is not discussed in an admiring light. But to France, Napoleon is the great leader who brings France out of their Revolution and into the modern age. A rotunda of numerous bas-reliefs surrounds the unmarked sarcophagus where Napoleon had been laid to rest.
After our time at Les Invalides, it was time to walk over to the Eiffel Tower. “The Eiffel Tower was built in for the International Exhibition of Paris of 1889 commemorating the centenary of the French Revolution.” As to be expected, large crowds were gathered around the tower’s base providing a party-like atmosphere. The lines to take the stairs or elevator up the tower were extremely long so we paused long enough to take photos. Due to its height it was impossible to shoot video of the tower. From a distance I didn’t think that the Eiffel Tower was all that tall. I could see it from the window of my hotel room. But when you get up close you realize the enormity of it.
The tower is 1,050 feet tall and is painted every seven years. It was in the process of being painted during our visit. From what I understand, it takes two years to paint the tower using 40 tons of paint. As we walked further to the north towards the Seine River it was easier to get a photograph of the tower, but still too close to shoot video.
On the spur of the moment we decided to take an hour-long tour boat cruise up and down the Seine. This open-air environment allowed we to shoot a lot of establishing shots of important Parisian landmarks (The Eiffel Tower, Notre Dame Cathedral, The Louvre) that undoubtedly will be used in the classroom videos we are creating.
It was getting dark and most of us were extremely tired. Personally, I had been up for almost thirty-six hours and needed some sleep. Tomorrow was going to be another long but fruitful day.
Monday, August 23, 2010
The Somme, 1916
That Mona Lisa SMiLE!
Saturday, August 21, 2010
Planes, Trains, and Accordion Players
Friday, August 20, 2010
Room with a view!
Thursday, August 19, 2010
"So what are you excited to see?"
On the evening before our flight to Paris, a small group of us drove into downtown Salt Lake City for dinner. The discussion had been either Mexican (The Red Iguana) or Thai. The consensus was Thai so a few minutes later we found ourselves at the Café Trang on the southwest corner of 200 South and 300 West.
As plates of Thai, Vietnamese, and Chinese entrees were passed amongst the group, our conversation quickly centered on our pending in service expedition. After a few minutes the question was posed as to “what are you excited to see on the trip?” As each person took their turn to express their thoughts, many of the answers included the Louvre, Notre Dame, the Acropolis, and Saint Peter’s Basilica.
During this exchange I thought about what my answer would be when it was my turn. Greece immediately came to mind, mainly because of its cradle of great thought that still affects us today from the great Greek thinkers and teachers such Socrates, Aristotle, and Plato. As a young Mormon missionary in Mexico many years ago we used the Socratic method of directed questions to share the beliefs of our faith with those who were interested in hearing our message. Additionally, any college level public speaking course will teach you Aristotle’s theories of ethos, pathos, and logos.
When it did become my time to share my thoughts, I mentioned that I was looking forward to the “antiquity of it all.” Even though there have been great ancient civilizations in both the Eastern and Western hemispheres, I personally believe that at least in the realm of classic architecture, Europe far surpasses the Americas. Case in point, the Cathedral of Notre Dame in Paris was begun in the 12th century. The closest example of such architecture in the Americas wasn’t begun until the 16th century after the Spanish conquered the Aztecs of central Mexico. The Spanish destroy the Aztecs’ Templo Mayor and in its place begin construction of what is now the great Metropolitan Cathedral in downtown Mexico City.
So the question I pose now is “do we have to travel to great historical sites anywhere in the world to see great beauty?” In my mind the answer is no. Yes, there is great beauty in Europe and other parts of the world that most of us do not call home. But there is beauty right in front of us wherever we live. Have you ever walked down a path that you do on a daily basis and looked down to see the first budding flowers of spring breaking through the warm brown earth after a long, cold, and dreary winter? How about looking out the window of your living room and seeing a gorgeously colored sunset that reminds you of a loved one that is no longer with you?
“For the beauty of the earth” is one song of Thanksgiving that reminds us of the beauty all around us. The next time you are hurried, take a moment and look at the beauty that surrounds you where you are. Smell it, touch it, embrace it, and love it!
Sunday, August 15, 2010
Packing for Video
Ironically, today's video camera's whether they are for professional or consumer use are much smaller than what we worked with in 1982, and, they record much better video than 1980s video gear. In fact, I'm not even shooting on videotape on this trip, but a SDHC (Secure Digital High Capacity) card that is the size of a postage stamp. On the England trip we could only get twenty minutes of video on each videocassette. With the SDHC cards I am taking, and shooting in High Definition (1080p/30frames) I can record almost 90 minutes of video on a 16GB (gigabyte) card.
All of the equipment I am taking for this trip fits into a specialized backpack produced by CineBags in southern California. It's also carry-on size which makes it even more convenient when traveling by air. What is going with me in the way of weight and size is a far cry from the hundreds of pounds of equipment we took with us for two camera crews to England in 1982. Things sure have come a long way! It's going to be amazing what technology brings us next.
Wednesday, August 11, 2010
Europe By Viewfinder?
On August 18th, I'll have a similar opportunity again to travel with a small group of colleagues from Brigham Young University-Idaho to France, Greece, and Italy. Our itinerary includes Paris, Athens, Florence, and Rome. The main purpose of the trip is for the professors of the World Foundations courses to visit important locations that they discuss in their classes.
My part in this great adventure? To shoot hi-def video that we will bring back to campus and edit in fifteen to twenty short video pieces. These short videos will enhance the World Foundations curriculum.
So stay with me over the next 18 days as I share with you what I see through the viewfinder in Europe!